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Yann tiersen comptine dun autre été: laprès-midi

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Yann tiersen comptine dun autre été: laprès-midi

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The Music With éété: a duration of around 2. The main melody then enters in groups of three. The three against the twos in the bass gives a feeling of uneasiness. The right hand begins to play a descending cascade of notes which creates a sense of hope and excitement. The left hand stays in its original two formation, which adds to the simplicity of the piece.

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The track later received English lyrics, and was released by The Divine Comedy as a b-side to the Regeneration single "Perfect Lovesong. Before discovering Tiersen, Jeunet wanted composer Michael Nyman to score the film.

The left hand stays in its original two formation, which adds to the simplicity of the piece. The sweetness from the high notes sits on top of the fluctuating left hand that has not changed yet. The Sweet housewives seeking nsa Minocqua hand begins to play a descending cascade of notes which creates a sense of hope and excitement.

The non-intrusive style of Tiersen makes this an ideal work to accompany a film. A delight to listen to in any situation. The Music With only a duration of around 2.

The piece ends quietly on a single chord as the two hands finally come together. The main melody then enters in groups of three. The range keeps pushing upwards as the theme is slowly developed by the right hand.

Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. Final Thoughts A simple but effective work for piano that evokes feelings of nostalgia and hope, which also comes across on screen.

There is a tinge of sadness seeping out at this point which may relate to the feelings of nostalgia when listening to this work. The three against the twos in the bass gives a feeling of uneasiness.

The opening melody is heard once more, this time laprèx-midi the melody up and octave. Director Jean-Pierre Jeunet chanced upon the accordion- and piano-driven music of Yann Tiersen while driving with his production assistant who put on a CD he had not heard before.